Jan Dibbets may someday have his work revered as much as his Dutch predecessors Vermeer, Van Gogh, and Rembrandt. At a time when the trends in art are toward abstraction and minimalism, Dibbets' work integrates these two disparate trends into one remarkable whole. 5 In one series of composite works, he arranged sections of architectural photographs into rounded patterns. Then, with pen and ink and watercolors, he connected the segments together into 360-degree circular forms blending the abstract with the real and the imagined. The imaginary images resemble the views of ceilings in gothic, baroque, and neo-classical 10 buildings as they might be seen from the ground floor.